Dutch electronic megahouse Noisia has been rocking the planet with their latest album ‘Outer Edges’.
It was a wait. But one that was truly worth it. Essentially a concept album, they pushed the boundaries on this one by backing it up with a ‘concept tour’.
An audio-visual phenomenon with rivetting content, perfect sync & melt-yo-face energy, the Outer Edges show is one that could not pass our dissection.
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Occasionally, a certain project will catch your eye. When you start watching and listening, you find yourself drifting away for a few minutes. The acoustic and the optic will blend together to one beautiful harmony.
Such a project is Intermittently Intertwined by Bob White. Take a moment out of your day, and watch this in HD with some good speakers.
We were even more amazed when we found out that the video above is actually created in realtime. It's not often someone is equally talented at music, motion design as well as coding. So we had to find out more about the project.
Everyone loves presents, and BirdMask by ASZYK/Neal Coghlan is a gift that keeps on giving. First watch the video below. Do it now.
From Neal's description:
After enjoying the lovely abstract animation, tight beat sync, lush colours and subtle perspective work, you find there's more. Not one to keep his secrets hidden, Neal shares a how to video of how this set of AV magic is put together. Revealing tricks of the trade, there is magic in this breakdown baby.It's taken a while but finally, here is the first upload of BIRDMASK Visuals. I first started work on these way back at the end of 2010. Like my Tasty Visuals, they started out with some miscellaneous illustration. The elements came together quite nicely and I started to form compositions out of them which became geometric, tribal bird faces. Like with most of my illustrations, I couldn't resist bringing it alive by animating it.
In their earliest form there was a lot less clips and they weren't in HD. A lot of elements didn't fit together well either so mixing between faces wasn't as smooth. In it's current form, the set is made up of 6 different faces, each one with 8 layers and 4 different clips per layer - making a total of 192 clips. These are all loaded into Resolume and triggered using Ableton and an iPad.This video was made by recording a Resolume composition - all the clips being triggered live. This piece wasn't composited using FCP or Premiere! (or After Effects for that matter), it was all done live.
BIRDMASK visuals made their debut in Geneva at Mapping Festival in May 2011 (mappingfestival.ch/2011/types/?artist=1285&lang=en) and since then have been played in clubs across London. The biggest showing was during Channel 4's House Party (channel4.com/programmes/house-party/articles/aszyk) where we performed alongside RnB legends 'Soul II Soul', who played an amazing set, mixing Reggae, House, RnB and Garage.
The set is still evolving and work has begun on a 3D version. I'm hoping to port them into UNITY 3D where I can make them even more reactive...
The track is called 'Elephant & Castle' by ASZYK - soundcloud.com/aszyk/elephant-castle-v1
Check out more of Neal's work, and then head back to your own studio, and hang your head in shame for not being as good as this guy. I want to have his babies. Comment »
Checkout this new set of Max for Live patches that allow you to control Resolume from Ableton Live without requiring any tedious MIDI mapping. You can trigger clips and control parameters so once it's all set up all you have to do is concentrate on your music and effects in Live and Resolume will just follow.
This is a simple way to connect clips in Live to clips in Resolume. Simply drop it on a track in Live, and it will trigger clips in Resolume when you trigger clips in Live automatically. It corresponds exactly, so clip 1 in track 1 in Live connects to clip 1 in layer 1 in Resolume, clip 2 to clip 2 etc.
Dropping this guy behind an effect in an effect chain, will allow you to forward parameter information to Resolume. You can choose which parameter you want to forward from a dropdown, and send it to any parameter in Resolume by entering the OSC address.
The Dispatcher connects the Clip Launcher and Parameter Forwarder to Resolume. You always need to have an active Dispatcher in order to communicate between Live and Resolume (but you canʼt have more than one).
Download v2.2, compatible with Resolume 6.
Download v1.10, compatible with Resolume 5 and earlier.
Version 1.8 and up now also send BPM values and Start/Stop messages...
Thanks to Mattijs Kneppers from Arttech.nl for creating these handy patches! Comment »
Getting tired of endless MIDI mapping to trigger clips in Resolume with Ableton Live? Checkout these Max for Live patches. These patches translate MIDI notes played in Live to OSC messages for Resolume. This means you do not have to do any complicated & cumbersome MIDI mappings to trigger clips in Resolume.
We hope you like it too! Let us know. A million thanks go out to Pandelis Diamantides for creating these patches for us. Checkout his music on Facebook. Comment »