Path-breaking stage productions.
What a great time to be alive!
We certainly think so, and our quest for “a big production to dissect” landed us in the eye of the Storm @ Shanghai.
This blog is about Resolume, VJ-ing and the inspiring things the Resolume users make. Do you have something interesting to show the community?
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- * Resolume Avenue & Arena 6.0.7 update: Easter Bunny
- * Resolume Subpixel T-Shirts
- * Return of the Footage Label!
- * KBK - Awakening The Beast
- * Cosmic Connection with Total Unicorn
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Say what you will about Facebook, it's an amazing medium to get in touch with people. You can get the skinny on what's happening on the other side of the world, and see things you would otherwise never know about. Case in point: Richard De Souza. I got connected to Richard about a year ago, and since then, my newsfeed started filling up with one jaw dropping stage design after another. Seems like the Australian continent, besides spiders, is hosting buckets of raw talent as well.
Who are you and how do you spend your day?
I am the director of MNVR (Manoeuvre); an Australian based new media company primarily focussed on concert visuals and interactive. I’m always working on something. If not in production mode I’m either VJing or developing custom VJ tools. I love tinkering and I spend most of my free time progressing my art and process.
Working for Resolume, we're lucky enough to see some of the most amazing VJ talent in action. One such person is Gabe Damast, whose live show for Zedd blew me away. Gabe is a true VJ and seldom we see a show this tight and in sync with the music. And most amazing of all, it's pure VJ skill, no SMPTE or other tricks.
Take a look at the video for an idea of how Gabe rocks it, and then read on below for what he has to say about all this.
When we released Arena 5 with the added options for DMX output, we were expecting you guys to do amazing things with it. Still, Spencer Heron from Rebel Overlay recently sent us a video that exceeded our expectations and then some.
Their setup has video, lights and laser, all controlled by a single instance of Arena. Combined with Rebel Overlay's trademark minimal design, it looks downright amazing.
Read more about Rebel Overlay and how they made this happen below.
We spoke with Marino Cecada, an italian visual designer who has been doing some out of the box work for various pop and rock acts. Where most rock shows visually rely on simple live camera registration, Marino uses Arena and some custom FFGL wizardry to take things to the next level.