Dutch electronic megahouse Noisia has been rocking the planet with their latest album ‘Outer Edges’.
It was a wait. But one that was truly worth it. Essentially a concept album, they pushed the boundaries on this one by backing it up with a ‘concept tour’.
An audio-visual phenomenon with rivetting content, perfect sync & melt-yo-face energy, the Outer Edges show is one that could not pass our dissection.
This blog is about Resolume, VJ-ing and the inspiring things the Resolume users make. Do you have something interesting to show the community?
Send in your work!
- * Resolume 6.1.2: There were tears. There was blood
- * Footage Releases by Dumb Robot, Chromosoom and Artificially Awake
- * Free Resolume 6 Video Training!
- * Orbit & Resolume at the Singapore Night Festival, 2018
- * New Footage Releases by Julius Horsthuis, Ican Agoesdjam and Catmac
- * In Pursuit of Secret Mapping Experiment
- * Chasing Greatness with Sandy Meidinger
5 * 6 * Ableton * ableton live * Adobe * Aerosmith * aliens * apparel * April * arena * Armin van Buuren * artist * artnet * AV * av * Beeple * behind the scenes * Behind the scenes * Benchmark * boompje * bugs * chaser * Club3d * coachella * comix * conspiracy * Content * controller * D-Fuser * Dan Wise * datapath * Denon DJ * dmx * doc optic * DXV * e2 * Eyesupply * ffgl * FFGL * Flash * Flying Lotus * free * freeframe * FreeFrame * gabe damast * ghostdad * gpu * illenium * installation * Interactive * interactive * interview * Jobs * kbk visuals * laser * led * Leonardo * light festival * lights * madeon * manoeuvre * manuel rodrigues * marino cecada * Max Cooper * max for live * Max for Live * midi * mnvr * multiscreen * nature * Neal Coghlan * nicky romero * noisia * openFrameworks * OSC * patterns * pixelmap * plugins * porter robinson * Processing * projection mapping * Projection Mapping * Quartz Composer * realtime * rebel overlay * review * Ricardo Arjona * richard de souza * rick jacobs * rigging * rjb visuals * rock * roy gerritsen * samson * sandy meidinger * sculpture * secret * showjockey * SMPTE * Spout * stage design * StageLinQ * storm festival * strip * sync * Syphon * Tagtool * Total Unicorn * TouchOSC * touring * training * true colors * tutorial * TV-One * ultra * unity * update * Update * upgrade * v-squared * vello virkhaus * Vezer * video * vvvv * workshop * zedd
Checkout this new set of Max for Live patches that allow you to control Resolume from Ableton Live without requiring any tedious MIDI mapping. You can trigger clips and control parameters so once it's all set up all you have to do is concentrate on your music and effects in Live and Resolume will just follow.
This is a simple way to connect clips in Live to clips in Resolume. Simply drop it on a track in Live, and it will trigger clips in Resolume when you trigger clips in Live automatically. It corresponds exactly, so clip 1 in track 1 in Live connects to clip 1 in layer 1 in Resolume, clip 2 to clip 2 etc.
Dropping this guy behind an effect in an effect chain, will allow you to forward parameter information to Resolume. You can choose which parameter you want to forward from a dropdown, and send it to any parameter in Resolume by entering the OSC address.
The Dispatcher connects the Clip Launcher and Parameter Forwarder to Resolume. You always need to have an active Dispatcher in order to communicate between Live and Resolume (but you canʼt have more than one).
Download v2.2, compatible with Resolume 6.
Download v1.10, compatible with Resolume 5 and earlier.
Version 1.8 and up now also send BPM values and Start/Stop messages...
Thanks to Mattijs Kneppers from Arttech.nl for creating these handy patches! Comment »
Anyone that has been VJ'ing for more than 5 minutes will have at some point or other asked themselves: how do I make this visual fit the music? Regardless of whether you're making full-on AV sets, or banging out the lumens in a club to somebody else's tune, matching the visuals to the music is what stands a VJ apart from a WinAmp visualizer.
Enter Gilbert Sinnott, the man behind Idiron AV. Gilbert spent a lot of time thinking about how to match audio to visuals, and vice versa. In fact he graduated on the subject in his final year of studying Multimedia Design + Tech BSc at Brunel University in 2010. After finishing his studies, he developed this concept into a complete set of tools for creating, syncing and performing with audio and visuals as a unified whole. He called this project Idiron AV, and you can see it in action below.
Gilbert's research took him further than just techniques as audio FFT and midi sync, although of course they feature heavily as well. He also developed concepts regarding what sort of content should be used, and how to best control it.
Best of all, he's not afraid to share with the other kids in the visual playground.
He developed a comprehensive set of Max4Live patches, that allow you to send FFT data from Ableton straight to Resolume via OSC. With these you get some really cool ways of linking FFT and midi data from Ableton to the timeline in Resolume. By an ingenious way of using the dashboard as an intermediary you have plenty of options to configure the sync to your own specific needs as well. To help get you started Gilbert even provides a little tutorial video.
Aside from the Max4Live patches, he's using some custom TouchOSC patches to control the whole performance, which you can also download from his site. So head on over to http://idiron.kaen.org/av for more info, and of course to download these handy tools. Don't forget to check out Gilbert's other music, and to leave a thank you and/or donation while you're there!
Getting tired of endless MIDI mapping to trigger clips in Resolume with Ableton Live? Checkout these Max for Live patches. These patches translate MIDI notes played in Live to OSC messages for Resolume. This means you do not have to do any complicated & cumbersome MIDI mappings to trigger clips in Resolume.
We hope you like it too! Let us know. A million thanks go out to Pandelis Diamantides for creating these patches for us. Checkout his music on Facebook. Comment »