chenthemagician wrote:Its weird hearing that there is a divide, coming from where I stand I am the tech that sets it up and the VJ who runs them as well...and its because of the knowledge of how its setup I have a unique advantage of maximizing the screens to their fullest potential...as well as in larger venues with a more complex setup, I agree there needs to be a tech on had dedicated to ensuring that the screens stay up and running throughout the event. However, knowing how things are run helps to buy that tech enough time to fix the problem, and get things 100% again.
So I see it as mutually beneficial, to both tech and VJ, to have a deeper understanding of each other's environment...
And it makes for better creative latitude when you know how every section works.
My 2 cents from sunny and hot Jamaica
I completely agree, as someone who also sometimes techs, sometimes vjs. As a tech I often find VJs who really have no idea how to map an led wall, but as someone who hung the wall and programmed it, I can vj and know how to get things built with in resolume to make the best use of it. Always annoying when a "professional" VJ needs you to setup their software for them... /off topic
I understand exactly what you are trying to do, and why OP, but I've used Linsn, Novastar, Versatube, and Martin P3 drivers, and I don't think the resolume team should even try to get into that mess.
I would encourage you to do as others have suggested and just make a couple advanced output presets, all mapping copies of each other with different lumosity, as required. Good Luck