Usually it's the otherway around. You build your stage in Arena and then export out a svg you bring into your editing software. Have you tried that workflow?
expvisuals wrote: ↑Wed Apr 03, 2024 21:13
I should have mentioned that the lighting console, receiving from the same sender is receiving a continuous signal at all times.
Has surround fixed issues with tearing? Last time I tried it was in 2018 and it was 100% unusable for larger setups. Tearing all over the place.
A Quadro and sync 2 card is a surefire way to get the results you're looking for.
Resolume reads whatever displays are connected to your OS. So if your OS see's those ports, you're good to go. I would say the 5000-6000 would be a good range to use. I personally use the 6000's. You will also need a sync 2 card as well. buy the PNY flavor used on ebay for like $300. paying $1k plus...
SMPTE 2110 is not feasible for most broadcast studio's let alone tours and festival setups. You need a 20Gbps NIC just to run a SINGLE 4K stream. The ONLY benefit I see from SMPTE 2110 is the ability to sync. NDI unofficially has plans for this in the future as well, with NDI HX3 you can run a singl...